The Horace Silver Quintet - 6 Pieces of Silver

This 1956 recording by the Silver Quintet, featuring Hank Mobley on tenor sax and Donald Byrd on trumpet, is pure hard-bop heaven created by some of the masters of the genre. After spending the previous two years playing piano on some of Miles Davis' classic Prestige and Blue Note albums, and touring with the Art Blakey Quintet and the first edition of his Jazz Messengers, Silver was more than ready to step forward as a leader. His compositional talents had already been showcased with Blakey's groups, especially on 1954's "Horace Silver and the Jazz Messengers" (Blue Note), but "Six Pieces of Silver" was his his first chance to record with his own working quintet.All six Silver originals are gems, including classics like "Senor Blues" and "Cool Eyes," and the ensemble playing throughout is outstanding, especially given the group's youthfulness—Silver is the elder statesman at twenty-eight; drummer Louis Hayes the youngest at nineteen. Silver's writing at this early point in his career is more solidly in the bebop camp than his later funk and soul efforts, but the blues, gospel, and Caribbean influences that are his trademarks are evident. His own playing is marvelously subtle, showing a clear debt to Powell and Monk, especially on slower numbers like "Enchantment" and the trio efforts "Shirl" and "For Heaven's Sake." Mobley's big, warm tenor is a particularly good fit with Silver's piano, and the young Donald Byrd shines on upbeat numbers like "Virgo." The rhythm section of Doug Watkins on bass and Hayes on drums provides excellent support throughout the session. The CD reissue, part of Blue Note's Connoisseur series, also includes the popular vocal version of "Senor Blues" by Bill Henderson.

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Blue Mitchell - Down With It

After a handful of solid albums as a leader for the Riverside label (see my reviews), and after recording for Blue Note as a member of the Horace Silver Quintet for more than four years, trumpeter Blue Mitchell was given the opportunity to cut a Blue Note album as a leader by Alfred Lion in 1963. However, his debut session, now known as "Step Lightly," did not see the light of day at the time of its recording. Blue was given another chance on July 30, 1964 and the result was the magical "The Thing To Do" (see my review). Blue Mitchell's third Blue Note session, "Down With It," was recorded on July 14, 1965. It features two of his colleagues from the old Horace Silver band, Junior Cook on tenor sax and Gene Taylor on bass. Joining the three Silver alumni are Al Foster on drums and the pianist Chick Corea, who made his recording debut on Blue's "The Thing To Do." Since Blue Mitchell was a Blue Note trumpeter at the height of Lee Morgan's popularity, it is no surprise that "Down With It" features several soulful, Sidewinder-like jazz numbers. But don't assume this is one of Blue's cheesy forays into funk from the later 60s. "Down With It" is a great modern jazz album, and very comparable to Lee Morgan titles like "Charisma" and "Cornbread." For those of you that did not get "Down" in the "Rare Groove" series, thankfully you can pick up this new RVG reissue.

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