Showing posts with label max roach. Show all posts
Showing posts with label max roach. Show all posts

Saturday, May 14, 2011

Bud Powell - The Amazing Bud Powell, Vol. 1

The CD reissues of the two albums titled The Amazing Bud Powell put the important recordings in chronological order (which they weren't in the LP versions) and add some alternate takes; all of the music has also been included in a definitive four-CD box set. Although the latter is the best way to acquire the important performances, this CD gives one a strong sampling of pianist Bud Powell at his best. Powell is heard in a classic session with trumpeter Fats Navarro and tenor saxophonist Sonny Rollins (which is highlighted by exciting versions of "Dance of the Infidels," "52nd Street Theme," and "Bouncing With Bud") and in a trio performing "Over the Rainbow" and three versions of his intense "Un Poco Loco."

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Tuesday, May 10, 2011

Duke Ellington - Money Jungle

What an alliance: a legendary bandleader and composer, a pioneering bop drummer, and an unclassifiable (and often prickly) bass behemoth. It's no wonder that the tension between Duke Ellington, Max Roach, and Charlie Mingus is thick and extremely tangible, permeating this breathtaking 1962 album with passion and aggression. On the jagged blues "Very Special," Ellington establishes a weighty mood while his piano work almost borders on free jazz. Roach's sticks dance and prance across every inch of his kit on "A Little Max"; on "Caravan" he effectively shifts from exotic rhythms to straight time. Duke's harmonic invention is delicate and mysterious on "Fleurette Africaine," but simultaneously jarring and cerebral on the confrontational "Wig Wise." It's hard to believe only three people are creating the stomping, disjointed monster that is the title track. Ellington alone emphasizes the beautiful melodies of the classic ballads "Soltitude" and "Warm Valley," but the edge returns when the rhythm section joins him. Mingus, who actually idolized Ellington, seems to be purposely agitating the master, almost taunting him. You'd say the synergy was magical, except that they seem to be working against each other. --Marc Greilsamer

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Sunday, February 6, 2011

Clifford Brown/Max Roach Quintet - Brown and Roach Incorporated

The first of the EmArcy recordings of the Clifford Brown/Max Roach Quintet, this album features trumpeter Brown, drummer Max Roach, tenor saxophonist Harold Land, pianist Richie Powell and bassist George Morrow in fine form. High points include "Stompin' at the Savoy," "I Get a Kick out of You" and Brown's ballad feature on "Ghost of a Chance." Near-classic music from a legendary group. [Originally released in 1954, Brown and Roach, Inc. was reissued on CD in 2004.]

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Saturday, January 1, 2011

Thelonious Monk - The Complete Blue Note Recordings

"From the 1947 sessions that lead off this set through to the 1958 live recordings at the Five Spot with John Coltrane, this box set chronicles the development of one of the most unique and creative American musicians. The first CD dates entirely from 1947, and on it we hear a Monk conversant in the bebop idiom, his distinct style emerging. By 1951 on the second CD we have a gorgeous version of "Ask Me Now," with all the delightful rhythmic hesitation that became one of his trademarks. "Reflections" on the third CD has Sonny Rollins caressing the melody in an almost languid tempo, followed by a classic version of "Misterioso," with J.J. Johnson and Horace Silver sharing the piano role. The Monk-Coltrane live cuts on the fourth CD are incandescent. All in all, a set that is both enlightening (with a number of alternate takes) in its scope and delightful in its sheer musicianship and creative spark." --Michael Monhart

Personnel: Thelonious Monk (piano); Kenny "Pancho" Hagood (vocals); Danny Quebec West, Sahib Shihab, Lou Donaldson (alto saxophone); Sonny Rollins, Lucky Thompson, John Coltrane (tenor saxophone); Idrees Sulieman, George Taitt, Kenny Dorham (trumpet); J.J. Johnson (trombone); Milt Jackson (vibraphone); Horace Silver (piano); John Simmons, Gene Ramey, Al McKibbon, Paul Chambers, Ahmed Abdul-Malik, Bob Paige, Nelson Boyd (bass); Art Blakey, Max Roach, Shadow Wilson, Roy Haynes (drums).

Recorded at the Van Gelder Studio, Hackensack, New Jersey on April 14, 1957; live at the Five Spot, New York, New York on September 11, 1958; Apex Studios, New York, New York on July 2, 1948; WOR Studios, New York, New York between October 15, 1947 and May 30, 1952.

Added to Monk’s original Blue Note sessions (1947-52) are the two tracks he cut with Sonny Rollins in ’56 and the recently discovered live ’58 Five Spot recording with John Coltrane. The Five Spot session has been speed corrected, and the early dates have been de-clicked. Sidemen include Art Blakey, Milt Jackson, Lou Donaldson, Lucky Thompson and Sahib Shihab.


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