Showing posts with label Kenny Drew. Show all posts
Showing posts with label Kenny Drew. Show all posts

Wednesday, May 18, 2011

John Coltrane - Blue Train

The tenor sax giant had signed with another label when he embarked on this one-off date for Blue Note, an excursion that paid off with an enduring modern jazz masterpiece. Boasting volley after volley of smart soloing and intuitively swinging rhythm work, Blue Train is a joy, from the coolly precise ensemble entry on the opening title piece through the set's balance of elegant hard bop conversations and smooth downshifts into ballads. John Coltrane wrote four originals for the date, all of them now regarded as standards, and assembled a rhythm section including pianist Kenny Drew, Miles Davis's rhythm section of bassist Paul Chambers and drummer Philly Joe Jones, and trumpeter Lee Morgan and trombonist Curtis Fuller, both recent Blue Note recruits. Coltrane's signature sound, now fully developed but still hewing more to familiar blues and chromatic harmonies than his later modalities, is confident and expansive, and his partners respond vividly throughout. --Sam Sutherland

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Sunday, May 8, 2011

Kenny Drew - Undercurrent


Kenny Drew's "Undercurrent" is one of those classic Blue Note albums that most people have never heard of. Originally released on CD domestically in 1987, it was deleted in the early 90s had has rarely been seen since. This import version is all that remains of an almost forgotten classic. If you are intrigued by this title, I seriously suggest you fork over the big bucks to buy it now. Of course all things are possible, but I seriously doubt this will be released in the domestic RVG series. It just wouldn't sell enough copies because Drew isn't that recognizable. That's a shame because he has made irreplaceable contributions to many Blue Note classics -- "Blue Train" and "Dexter Calling" to name two -- in addition to this fine album as a leader. "Undercurrent" is a magnificent hard bop session from December 1960 featuring the talents of Freddie Hubbard, Hank Mobley, Sam Jones and Louis Hayes. The six compositions, all by Drew, are terrific medium and up-tempo swingers, with the exception of the lovely concluding piece, "Ballade." "Undercurrent" is as good as anything Blue Note recorded in 1960, and should really be picked up at any price.

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